Probing into the Background of bronze Crane

"The child into that absorb the techniques of on Zuni JJllg'J for the more important of the personal way of thinking, aesthetic orientation and spiritual enlightenment, visual artistic conception of classical literature in the Contemporary Context Reconstruction. Figure 3l Van Cao, Ⅸ also favor "water painting 68x 32 left the ice zinc. "Lute Song", the resin 12 0x 68 Clfl, the I 987 Fu 70 55 cffi. 2008 "Lute Song" (Figure 32) is the author of the recent Ink freehand language of bronze sculpture of the practice of Feng aims to save stressed ink character ethereal, ethereal, aloof from the world's mood, but in the form of Bu. From then on, China has entered into the civilization time with the coexistence of bronze and stone wares. Works in order to convey the atmosphere of Ink cyanide Yun, and weakened the performance of the geometry. Zuniga geometric elements drawn from the traditional national art nutrition to support their own aesthetic principles, I draw from Chinese classical literature.
 Learn from the performance of traditional ink painting, the mood, extract or vigorous, or Smart, or the elegant lines of ink, to expand the language of bronze sculpture with Ink wit. Traditional ink painting in the way of thinking emphasizes meaning in the pen first, in the image shape and technique of expression E, pay attention to the embodiment of the national tradition of philosophical concepts and aesthetics (see Figure 31 also look a gift horse "), hand sheets by King lyric, child care, ambition, embodied the concept of "Harmony". Anyhow, China officially got into the Age of bronze statue in about 2000 BC.  Author Ink impressionistic language of chinese bronze of the physical and chemical process, is not a simple way to imitate, but to pursue the spirit of the same, is thinking of continuing in-depth development of the artistic spirit and support of artistic attitude.
 Quite a long period of time, I bored through pure geometric configuration attempts. Plane "Pipa", since the two characters take E posture, I front of the first mapping is now the Zuniga and his  angular configuration, decided to apply the "praying women" (Figure 12) Schema . After a few failed attempts, I realized that: a different culture to create a different way of expression, a different social environment created different human emotions, pure triangular configuration of wells may not be suitable for the shaping of ancient Chinese characters. Embodies the art of contemporary terms, I should continue to look for in the context of recent art and contemporary standards. Shanghai University Master dissertation and learn of the masters can not completely copy, should be based on the soil of their own lives. The period of the bronze dragon lasted through the Xia, Shang, Western Zhou Dynasty and Spring and Autumn period about 15 centuries.
 Inherit the traditional essence of integration into the real emotional experience of the individual. Artistic concepts and schools of choice and adhere to, to maintain the independent thinking of the spirit does not follow the crowd, not a mere formality, and creation of true feelings of the soul at the same time concerned about today's art, not forgetting to pour their own national feelings. Zuniga on the author's shoulder hair, is not "the Zuniga model" to reproduce, but in the contemporary art wave and style, to find their own way, to establish their own language of bronze sculpture and art style. To the late Warring States, the high level of  bronze smelting has fulfilled its mission. Zuniga behind the foundation of the Latin American "indigenous culture", beside a strong impact and influence of Western art.