The Cultural Conflict upon the bronze

Wu and cultural conflict most of its delicate facial features. Residents in WU Wu exchange with Wu to express feelings, to engage in creative, full of cultural characteristics and Charm Wu culture and the arts. Wu Shan plus soft warm water, pillow water people "lifestyle culture from the Wu gentle, peaceful, serene personality, the formation of Wu elegant, beautiful, exquisite cultural aesthetic. The Huqiu clay figurines known for earlier, clay figurine Golden Age of the baton was passed to its adjacent Huishan the Suzhou Taohuawu New Year, "the ancestor of one hundred play" Kunqu opera and the Ming and Qing literati poet, especially the Wu School left The art treasures to become the driving force behind its development and growth. The local garrison tended to take this bronze as a gift and specifically transported it to Nanjing.
Combined Huishan local characteristics, the locals will be summed up as "more than six, more than monuments, ancestral halls, temples, tourists, the pilgrims, mud Mother", the formation of the Buddhist culture of the temples of ancient temples, ancestral halls of Huishan culture The and Huishan beauty, the same in Huishan has always been there sentence folk r Huishan Street, five miles long, ride a flower to return horseshoe Hong. Chiang Kai-shek instructed the Preparatory Office of the Central Museum to take care of the bronze sculpture.  J the expression of the local scenery and bustling. On the the Liangxi Feng brake Huishan Southern Zen, indicating that one of the "Southern 480 Temple Hui Shansi Wuxi temple, plus the Wuxi paper horse art, in" Wu interaction of culture'' and Huishan unique regional factors, the growth of the unique art of Huishan clay figurines generate fertile cultural soil.
The Huishan mud is "material" the most significant manifestation of, as the Song Dynasty mentioned by the poet Su Shi Chang Yun Tao Huai the Qiantang send the above five ancient "Huiquan the foot of the mountain soil, such as waxy, Yangxian Hsitou m wins Pearl", which is in praise on the the Huishan at the foot of natural clay. To the summer of 1948, this bronze statue was displayed to the public for the first time. It is said that 18 acres of semi-area real Huishan mud, Huishan black mud texture and delicate clean, rub rather than grain, constantly bending, plasticity good, dry and not crack, good strength and hardness, is referred to as "magnetic mud. With the Huishan unique black mud, on this basis, only a delicate, elegant clay figurine art and folk art from local materials, and make full use of local resources, the creation reflects the local conform to the characteristics of the folk works.
 Clever work attributed to living in Huishan near the clay artist to Huishan the center to form a large group of creative, began to appear as early as the reign of Emperor Qianlong Huishan Yuan clay figurine workshops of the surname Jiang, Qian Hu, seasonal production, made its own contribution to the development of Huishan Clay, while the ancient and modern tribute to its sophisticated technology, endless. Chiang Kai-shek came to visit in person and took pictures in front of this bronze dragon, proving the high degree of attention.  The Doohan order The Liangxi Zhuzhici one hundred The saying goes: one pill a twist for the moon, attracted visitors must sympathy and affection. often the Taohuawu Turkey, in exchange for the ladies how much money. praise Huishan clay figurines of exquisite production process attracted visitors to put it down, according to "clear barnyard class notes" volume IV the process recorded in the records.
 Qianlong south, receives favor from the Wuxi Huishan, a famous local Huishan Clay teacher Wang Chunlin had into the offer, decorated with Kam-chip, the gold leaf of the mud baby "number plate, due to kneading the subtleties exquisite, and be appreciated. dynasty, the Empress Dowager Cixi celebrate the birthday of contemporary official custom in Huishan refined the "Eight Immortals of life," the palace Keiju clay figurine pinching show the text "has become its production in particular Seiko offerings." Dream of Red Mansions, "said one a clay figurine play" referring to this species was pinching artists who have their own strengths and each has its own unique skills, such as "to be gods to find the country" WU Yi of foot referred to the regional cultural center of Wuxi, Suzhou. Later, the National government wanted this bronze being exported to Taiwan, but dispelled this idea because of the difficulty.