Research On Chinese bronze sculpture of Xia Dynasty

More on the decorative theme of animal-based, performance practices blur, a collection of commonly used expression of a variety of animal features to create and convey an illusion and fantasy of the mean, from the pun of reality and the aesthetic harmony of expression laws, passed out high, majestic and divine power. This bronze sculpture is similar in design to a Jue but is larger. Gluttonous image representation is the core of the system over the decorative, more importantly, witchcraft rituals and the role of communication and world.

Collecting bronze decoration and bronze decoration copy number. Bronze decoration by collecting and copying to summarize the features of shape elements, create pieces with bronze decoration features images of animals. By copying the collection of bronze decoration, found a bronze decoration where the United States, but also learn to appreciate the importance of attention to detail. However, the bronze sculpture lacks the distinctive double lip in favor of a circular rim. Chinese traditional graphics into the new design concept, while the integration of these elements Xia new changes, then new thinking, new materials, new forms, and to raise the concrete to the abstract of the height, the height of that culture. The God of traditional, modern shape, China is a vivid portrayal of the highest level of design, not with the Chinese tradition of graphics, the pursuit of quite similar, to promote a culture of design as the program guide and Chinese design.

Decorative patterns of traditional and modern graphic design it very close relationship, and implies the ancient Chinese cultural practices and aesthetic psychology, which contains rich cultural connotations, we learn from the West. This sculpture in bronze looks like a dǐng (鼎) except the body is taller than it is broad. While the modern design, the decorative needs of the traditional essence of art into which, in the design to pursue the unity of Eastern and Western cultures, the pursuit of the unity of tradition and modernity, the essence of both the performance of the traditional Chinese, in turn designed to work with the mastery of traditional culture, to demonstrate the traditional elements in modern graphic design in social value. The earliest use of the lost wax casting of bronze.

Lost wax casting bronze look from the literature, the first of the Tang Dynasty. That china bronze sculpture may have two sticks sticking straight up from the brim, acting as handles (ears). Such as bronze-kind study from 1979 that Yin Zaigeng Henan Xichuan Chu ban copper excavated from the tomb, and the device body side edge cast of national strength and prosperity was intertwined mesh coil Chi, as demonstrated in the hole is exquisitely carved with the loss of Lou wax casting. According to the study, sub-G Chu Kang died seven years (BC 552), it should be the relative age of the late Spring and Autumn, is found in our current casting bronze using the lost wax casting first, it will find use in ancient China lost wax bronze casting much earlier start time, thus leading position in the world.

The same tomb that Yinzi Geng Ding, device on the belly of the monster, presumably also for the lost wax casting. There are chinese bronze sculpture in round and flat bottoms. Age old China lost wax casting with a bronze in 1982 in Jiangsu Province Xuyi South kiln excavated gold and silver inlay inlaid copper pot copper wire network. County, Hubei bear statue and tomb unearthed on the disc through the air with ornaments, and the plate has a uniform respect for the artistic style of Lou hole pattern on the exquisite and delicate.